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The New York Times bestseller—part manifesto, part memoir—that put a new face on feminism as it cut to the heart of issues with an irreverent, transcendent, and hilarious touch—now available in a limited Olive Edition.
“There are lots of things to love about Caitlin Moran’s How to Be a Woman….A glorious, timely stand against sexism so ingrained we barely even notice it. It is, in the dour language [Moran] militates so brilliantly against, a book that needed to be written.”—New York Times
Though they have the vote and the Pill and haven't been burned as witches since 1727, life isn't exactly a stroll down the catwalk for modern women. They are beset by uncertainties and questions: Why are they supposed to get Brazilians? Why do bras hurt? Why the incessant talk about babies? And do men secretly hate them?
Caitlin Moran interweaves provocative observations on women's lives with laugh-out-loud funny scenes from her own, from the riot of adolescence to her development as a writer, wife, and mother. With rapier wit, Moran slices right to the truth—whether it's about the workplace, strip clubs, love, fat, abortion, popular entertainment, or children—to jump-start a new conversation about feminism. With humor, insight, and verve, How to Be a Woman lays bare the reasons why female rights and empowerment are essential issues not only for women today but also for society itself.
- Sales Rank: #5426 in Books
- Published on: 2016-10-11
- Released on: 2016-10-11
- Original language: English
- Number of items: 1
- Dimensions: 7.13" h x .92" w x 4.50" l, .0 pounds
- Binding: Paperback
- 368 pages
Review
“It is bracing in this season of losing [Nora] Ephron to discover a younger feminist writer who scrimmages with the patriarchy and drop kicks zingers with comic flair….A must-read for anyone curious to find out just how very funny a self-proclaimed ‘strident feminist’ can be.” (Maureen Corrigan, NPR's Fresh Air)
“A fresh, funny take on modern feminism that shines a light on issues facing every woman, lovingly boiled down to the basics with insight and humor.” (Today Show)
“Scathingly funny….Moran makes us think about femininity and feminism, and whether you agree or not, she’s fascinating.” (People (3 � stars))
“Caitlin Moran taught me more about being a woman than being a woman did. I’m pretty sure I had testicles before I read this book.” (Jenny Lawson, author of Let's Pretend This Never Happened: A Mostly True Memoir)
“There are lots of things to love about Caitlin Moran’s How to Be a Woman….A glorious, timely stand against sexism so ingrained we barely even notice it. It is, in the dour language [Moran] militates so brilliantly against, a book that needed to be written.” (New York Times)
“The UK’s answer to Tina Fey, Chelsea Handler, and Lena Dunham all rolled into one.” (Marie Claire)
“Moran’s frank wit is appealing.” (The New Yorker)
“A hilarious neo-feminist manifesto….Moran reinvigorates women’s lib with her personal and political polemic.” (NPR.org)
“There is a good reason for [its success]: it is pretty phenomenal….[Moran] wrote the book in just 5 months….Chances are you’ll read it in far less time than that, turning down the corners of extra-resonating pages to come back to later.” (Jenn Doll, The Atlantic Wire)
“With her drunk-on-gin-with-my-lady-friends honesty and humor, Moran, a Times of London columnist, snips the man out of manifesto, spinning her message of radically sensible female empowerment.” (Vanity Fair.com)
“Bravely and brilliantly weaves personal anecdotes and cutting insight into a book that is at once instructional, confessional, and a call for change….Moran shifts effortlessly between her own hilarious experiences and larger questions about women’s place in the modern world.” (Interview Magazine)
“As funny and careerist as Tina Fey’s Bossypants, as divulging as Ayelet Waldman’s Bad Mother and as earthy as Cheryl Strayed’s Wild.” (Holloway McCandless, Shelf Awareness)
“Ingeniously funny….In her brilliant, original voice, Moran successfully entertains and enlightens her audience with hard-won wisdom and wit….She doesn’t politicize feminism; she humanizes it.” (Publishers Weekly (starred review))
“Caitlin Moran is so fabulous, so funny, so freshly feminist. I don’t want to be like her—I want to be her. But if I can’t, at least I can relish her book. You will, too.” (Peggy Orenstein, author of Cinderella Ate My Daughter)
“Her arguments are hilarious and spot on….This isn’t a self-help guide, and Moran’s not really telling you how to be a woman. Instead, she’s giving you permission to laugh: at ourselves, at her, and at anyone who think there’s only one way to be a woman.” (Shannon Carlin, Bust Magazine)
“How funny is Caitlin Moran’s neo-feminist manifesto and memoir, How to Be a Woman? Don’t read it with a full bladder….You could spend a whole book group session flagging favorite lines…..There’s some comfort in Moran’s book coming out so soon after Nora Ephron’s death.” (Heller McAlpin, Barnes & Noble Review)
“A spirited memoir/manifesto….With equal amounts snarky brio and righteous anger….That such an important topic is couched in ribald humor makes reading about Moran’s journey hilarious as well as provocative….Rapturously irreverent, this book should kick-start plenty of useful discussions.” (Kirkus Reviews (starred review))
“Caitlin Moran is a feminist heroine for our times. I can’t wait to give this book to my daughters.” (Zo� Heller, author of The Believers)
“Caitlin Moran is the profane, witty and wonky best friend I wish I had. She’s the feminist rock star we need right now; How to Be a Woman is an hilarious delight.” (Ayelet Waldman, author of Bad Mother)
From the Back Cover
Though they have the vote and the Pill and haven't been burned as witches since 1727, life isn't exactly a stroll down the catwalk for modern women. They are beset by uncertainties and questions: Why are they supposed to get Brazilians? Why do bras hurt? Why the incessant talk about babies? And do men secretly hate them?
Caitlin Moran interweaves provocative observations on women's lives with laugh-out-loud funny scenes from her own, from the riot of adolescence to her development as a writer, wife, and mother. With rapier wit, Moran slices right to the truth—whether it's about the workplace, strip clubs, love, fat, abortion, popular entertainment, or children—to jump-start a new conversation about feminism. With humor, insight, and verve, How To Be a Woman lays bare the reasons why female rights and empowerment are essential issues not only for women today but also for society itself.
About the Author
Caitlin Moran's debut book, How to Be a Woman, was an instant New York Times bestseller. How to Build a Girl is her first novel since the one she wrote at fourteen, which doesn't count.
Most helpful customer reviews
20 of 21 people found the following review helpful.
Eh, Not a Fan.
By Tweed
Rating 3/10
***WARNING-MY REVIEWS OFTEN CONTAIN SPOILERS! READ AT YOUR OWN RISK!!***
Seriously, I quote the book three times. However, I don't know how this book can be ruined....
Honestly, this review is tricky. How to be a Woman was first recommended to me by a friend after discussing the fact that I had recently read Jessica Valenti’s Full Frontal Feminism: A Young Woman’s Guide to Why Feminism Matters. I immediately ordered the book from Amazon, mostly because I trusted the friend and I am a sucker for a book with an eye-catching cover. Caitlin Moran sold me with her shock of white running through her hair and the fact that she is not being dubbed as the ‘new face of feminism’.
I was an easy sell.
Somewhere, lost in the recesses of my brain, was the remembrance of not actually getting much from Valenti’s book and the fact that maybe using it as a guide for further book purchases was not my smartest idea.
So, yes, if I am completely truthful, I did not enjoy this book. I think I don’t particularly like Caitlin Morgan as a person. I don’t relate to her in the least. We would not have been friends in real life. I put the book down several times and almost didn’t pick it up again, yet sheer determination pushed me through. However, this wasn’t the worst book I’ve ever read. I simply don’t think it was meant for me. (And that doesn’t mean it isn’t meant for you, dear reader!… but then, maybe it does.)
What I liked about the book:
Moran makes some very good points. For example, the word ‘feminism’ has been skewed overtime to represent something ugly and bad. Feminists are frequently seen as very low creatures, aiming to destroy men and piss on family virtues. This simply isn’t true. On the word ‘feminism’ she states:
“We need the word “Feminism” back real bad. When statistics come in saying that only 29 percent of American women would describe themselves as feminist- and only 42 of British women- I used to think, What do you think feminism IS, ladies? What part of “liberation for women” is not for you? Is it freedom to vote? The right not to be owned by the man you marry? The campaign for equal pay? “Vogue,” by Madonna? Jeans? Did all that good s*** GET ON YOUR NERVES? Or were you just DRUNK AT THE TIME OF SURVEY?
These days, however, I am much calmer- since I realized that it’s technically impossible for a woman to argue against feminism. Without feminism, you wouldn’t be allowed to have a debate on a woman’s place in society. You’d be too busy giving birth on the kitchen floor- biting on a wooden spoon, so as not to disturb the men’s card game before going back to hoeing the rutabaga field.” (p.75)
These sections of the book are gold… for someone who maybe doesn’t already realize they are a feminist. However, I am fully aware of the gender inequalities in my life and already associate myself with the label “feminist” without any hesitation. (Feminism is a GOOD thing. For everyone!)
In this sense, the book is probably more prolific for younger girls, as the ‘ah ha!’ moments for me were non-existent.
I appreciated that Moran comes from a low income family and is open to talking about the struggles with some element of humor (maybe I didn’t GET the humor, but at least it was there).
I also appreciated some of the variety of chapters represented. For example, she discusses fat shaming and the view of women who choose to remain childless. These are topics we should be discussing (and perhaps aren’t discussed enough), but I was left thinking that I perhaps would have enjoyed them more as short essays I read over the span of a year or so, and not in a book to be read in one sitting.
I certainly got waaay too much Caitlin Moran.
I seem to be doing a terrible job at discussing the positives…
Moving forward.
What I didn’t like about the book:
She uses an excessive number of exclamation points and it appears that her keyboard is frequently set on caps lock.
I did not need an entire chapter on what to name your breasts and vagina. I have never called mine anything other than breasts and vagina (even if, in Moran’s opinion, that is simply so clinical no woman does that except in a medical setting) nor have I ever made this a common discussion with other women. Additionally, I don’t readily know any other women who have, and I don’t consider her application of twitter to be remotely scientific enough to make broad sweeping statements about the topic. I was this close to putting the book down for good here, but I’m glad I didn’t because the very next chapter was the one on discovering feminism, which I will admit to having some good points.
Caitlin Moran does something I used to do in high school and early college. My sister called it using ‘Bekah-isims’. Basically, (what you have probably already surmised) a Bekahism was something I would say with complete confidence and give the appearance of being correct enough to be true… even if maybe I wasn’t 100% sure. Bekahisms usually occurred when I was relatively sure of what I was saying, though, infrequently was a it ever applied with any sort of research or data to support the statement.
Moran totally uses Bekahisms… er, Caitlinisms… throughout the entire book. She would make entire arguments (read: chapters) without any evidence of real research other that what she ‘thinks’ to be accurate. I fully believe that she probably thinks what she says sounds good (right even!) and everything she knows in her world supports these claims… but that doesn’t necessarily make it true. I craved a citation or two, but was largely disappointed.
She is offensive and at times uses excessively vulgar language to make a point. This is another one of those problems I had with the book that might be related to my age and maturity level. A younger version of myself probably would have relished these sections, yet now, it just felt like she was trying too hard and the language turned me off to this ‘new feminism’ she’s raving about. For her to at one point discuss political correctness in society and give a definition of PC, she used a lot of offensive terminology. Additionally, she has an entire chapter on fat shaming and how the word ‘fat’ is wielded as a weapon, then turns to use words that can be extremely offensive to another group of people.
I think the best way I can describe this is as an example… in her prolog she states:
“I am, by and large, boundlessly positive. I have all the joyful ebullience of a retard.” (p. 5)
Um, seriously???
I probably re-read that line fifteen times deciding if I was going to continue or not (or to determine if I hallucinated). Did she really just say that? I mean, doesn’t she have an editor to tell her, yes you can be offensive sometimes and be funny, but sometimes crossing a line is a bad, bad, very bad idea? The fact that little tidbits are just thrown around so casually astounded me.
And don’t get me started on the C word. She looooves that one. I was cringing reading an entire damn chapter because of it. (And maybe that was her point. I get it, I do, but I don’t like it and I’m not going to support her when she uses it about 100 times.) Shocking word choices are really not my jam. #sorrynotsorry
Moran and I have very different ideas of humor. I didn’t laugh out loud once. At times I was vaguely amused, but I didn’t find her to be hilarious like so many people find her to be. (But, hell, I’m more of a sarcasm-goes-a-long-way sort of person myself… so there’s that.)
She misused a Harry Potter reference. This is a personal pet peeve of mine, as a massive HP nerd. In the ‘I am fat!’ chapter she says:
“The idea of suggesting we don’t have to be fat- that things could change= is the most distant and alien prospect of all. We’re fat now and we’ll be fat forever and we must never, ever mention it, and that is the end of it. It’s like Harry Potter’s Sorting Hat. We were pulled from the hat maked “Fat: and that is where we must remain, until we die.” (p. 103)
Um, no. Clearly you have never read Harry Potter because the Sorting Hat lets you choose! Ugh. If you’re going to use massively popular pop culture references, please get them right! Huge fail. Huge.
Now, reading all this, you may wonder why I have given this book 3.5 stars instead of zero. Truthfully, I could have rambled on about How to be a Woman for another couple thousand words, but let’s be honest, no one wants to read that. Probably the best way to find out if this book is for you is to go to a local bookstore and read the ‘I am a feminist!’ chapter (Yes, she uses an exclamation point at the end of every chapter). It contains both aspects I loved, and moments I hated. I think it is a well-rounded approach to determining whether or not to spend the dollars on this book.
Additionally, I DO think How to be a Woman is more relevant to younger women who are first discovering feminism and more open to her colorful word choices. I’m no prude, I just found it a tad exhausting. A younger me may not have considered it so. If I ever reproduce and have a daughter, I would probably encourage her to read this in her later-teenage years.
Just a personal note: I ordered this book with Mindy Kaling’s Is Everyone Hanging Out Without Me? (And Other Concerns) and enjoyed it immensely more than How to be a Woman. If you’re on the fence between the two, go with Kaling.
This review is also available on Goodreads and on my blog Bekah's Bookmark.
9 of 10 people found the following review helpful.
I found this book to be problematic
By Leanna
I AM A STRIDENT FEMINIST! And I didn't really enjoy this book.
But let's start with what I did like: Moran is a decent writer, and the book is certainly witty and funny at times. It was easy to read, by which I mean I could open it up on the bus and be startled as I almost missed my stop three days in a row. I also appreciated that she tackled topics a bit out of the norm. There are definitely things in this book that Sheryl Sandberg wouldn't touch with a ten-foot pole, and that's good! "Women's issues" shouldn't be thought of as taboo or icky, and that won't change until more people start talking.
That said, I just really didn't like this book. It even made me angry at times. She vastly overgeneralized most of what she talks about, and while I understand that in some cases she's using hyperbole as a comedic tool, I'm generally against the idea of lumping all women into any category, whether we're viewing them as weak and ditsy or whether we're suggesting that all women go crazy about weddings and hate high heels.
I also found the entire premise of this book - that we should laugh in the face of sexism or oppression - as entirely problematic. I don't think we as a society are quite at a point where we're ready for laughter when women can't walk down the street without getting hollered at or, sometimes, even threatened. Or when some people still don't understand there's a problem.
So all in all, I'm not sorry I read this, but I was disappointed in the overall outcome of the book. I might recommend it if you were into similar femnism/humor books, like Bad Feminist, although if you haven't read Bad Feminist I'd probably go there first.
23 of 24 people found the following review helpful.
Some interesting ideas, but neither funny nor thoughtful
By Acorn
Caitlin Moran wants to argue in favour of feminism (or at least her take on it), help young women to learn how to be a woman (often learning from Moran's own mistakes), and to introduce humour and satire into the mix. Moran was 35 years old when she wrote this book, at a stage in her life when she had overcome the insecurities of adolescence and the booze-fuelled soul searching of her twenties, but still young enough to empathise with young women undergoing those rites of passage.
The first ten chapters cover the transition through puberty and teenage to the stage of being a `grown up'. She deals with the onset of menstruation, the discovery of masturbation, the anguish of dealing with the physical changes as one heads towards adulthood, and how to deal with relationships. In the fourth chapter she introduces feminism and says that all women should identify as feminist. But there is a good deal of confusion about what this means. At one point she says men should be feminists too, but then says that to be a feminist you need to have a vagina and want to be in charge of it. It's a nice sound bite, but what does it really mean? The question is ignored as we skip to another topic.
In a later chapter she says that sexism has to be re-framed as behaviour that separates people into `winners' and `losers', pointing out that women are usually seen as `losers'. To challenge sexism we have to ask: is this behaviour polite? If it's not, then it's sexist and we should reject it. Frankly I found this silly. If we were all just polite to each other, sexism would disappear? The class system in Britain thrives on an ethic of `politeness' and uses this to thwart challenges to the status quo. Is this what Moran really wants? I had visions of Tony Blair and his ridiculous `respect' slogan as I read the chapter.
The chapters on pornography and fashion, and on what to do about body hair, raise some complex issues but nothing is considered in any detail. Ultimately there are no driving principles that might help a reader get a grip on womanhood. Moran is against removing pubic hair but has no qualms about shaving armpits or waxing legs. The reason for the former is that the fashion is driven, she says, by pornographic film makers, but if she had read some history and anthropology she would have seen that fashions in body hair are far older and more interesting than the porn industry.
There are chapters on marriage and having children, filled with anecdotes from her own experiences. Hopefully these will encourage prospective parents to take antenatal visits and parenting classes seriously. Her second birth was easy, the first a painful disaster - preparation made all the difference. The chapter on abortion is the most cogent and sincere. Moran has previously written a newspaper article on her own decision to have an abortion and the discussion here shows that she has spent a bit more time considering the issues involved. Abortion is a topic that rarely gets intelligent reflection so this was welcome.
The major weakness in the book is the poor writing style. The first eleven chapter headings all end in exclamation marks and the text is riddled with phrases and sentences in capital letters to show she is BEING FUNNY!! or that THIS IS IMPORTANT!!! Moran was a journalist on Melody Maker, a pop music magazine, and contributes articles on entertainment to The Times newspaper, so the tabloid style is understandable, but it too often distracts from the messages in the book. The other key weakness is Moran's poor skills in satire and comic writing. Much of what she writes is not funny at all. I only chuckled to myself once in the course of reading this book and now I can't even recall what that was about. Timing and a twist in context are central to humour and Moran's writing lacks both of these.
While Moran is self-reflective about motherhood and the choice of having children, in other parts of the book she is far less insightful. Consumerism is not really grasped at all. In her chapter on fashion she admits that, like many women, she owns more shoes and bags than she will ever use, but never questions why this is so. She rightly points out that it is not for men - they are utterly uninterested in fashion. Women's fashion is competitive behaviour between and for women. It is wasteful and divisive, but at the same time she is opposed to `sisterhood'. Elsewhere, Moran is critical of celebrities and the celebrity culture we feed, but says nothing about her own role in this as a journalist. Instead, she admires Lady Gaga for her `radical agenda'. But what is radical about media and market manipulation to sell lots of product? Feminism could offer a way off the consumerist treadmill, but Moran doesn't even consider that possibility.
Sexism is fundamentally about power, so Moran's idea of framing it in terms of `winners' and `losers' contains the germ of an interesting discussion. Unfortunately, it never gets off the ground. I was hoping that this book would be funny and incisive, but in the end I found it superficial and often boring to read. In her teenage years, Moran was inspired by Germaine Greer's The Female Eunuch. Decades have passed since that was published, but it is still a treasury of ideas and a salutary read, even if humour is absent (Greer is Australian). Women and men of all ages would benefit from reading and re-reading Greer's book, but Moran's audience has been short-changed by this often muddle-headed and sadly unfunny approach to being a woman.
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